My affection for television from the Comfort TV era dates back to my earliest childhood memories. But that interest did not fully evolve into a passion until Nick at Nite.
Not the current version, of
course, if one still exists. I’m talking about the Nick at Nite of the late
1980s and early 1990s, when its slogan was “Dedicated to preserving and
protecting America’s precious television heritage.” That Nick at Nite is now
about 25 years old. It’s a strange feeling, to be nostalgic about a cable
channel that trafficked in nostalgia itself.
I still recall the lineup
of shows when I became a convert: Get
Smart at 8, The Adventures of
Superman at 8:30, The Lucy Show
at 9, The Dick Van Dyke Show at 9:30,
two episodes of The Mary Tyler Moore Show
at 10 and 10:30, Alfred Hitchcock
Presents at 11, Dragnet at 11:30,
The Many Loves of Dobie Gillis at
midnight, The Patty Duke Show at 12:30,
The Donna Reed Show at 1am. I think F Troop came on after that but by then I
was ready to turn in.
Some of these classics were
old friends at the time, and some were new to me but quickly became favorites.
As
I look back what I remember most is how it felt to see these shows not just
broadcast, but celebrated.
That’s what Nick did. It
said that great television shows from the past are important. They deserve to
air in prime time, not on Sunday morning at 6am as we were used to seeing them
on UHF channels in the pre-cable era. They deserved to have their runs aired in
order, with each episode introduced by title, original airdate, and with a note
made of any special guest stars or memorable moments. They deserve to have the
closing credits play full-screen, not squeezed into a corner to make room for a
promo for the show coming next.
We take watching these
shows via streaming service or on DVD for granted now, but this was a time when you still had to watch TV shows on television. That’s one
reason why Nick at Nite became such a haven for classic TV fans. All
the shows we loved were here, and we could tune in at 8 and never change the
channel through the wee hours of the morning. It was always there when we
wanted it, all night, every night.
My Nick at Nite years were
also the first time I realized how many other people loved the classics as much
as I did.
Tuning in felt like being part of a club that met every night to
share happy memories. We got the jokes featured in the network’s quirky
promotions, such as interviewing "the back of Patty Duke’s head," that
others wouldn’t get (or wouldn’t care about).
Even the commercial breaks
were entertaining. One of the Nick’s
most charming inventions was its array of musical bumpers, some animated, some
live action, that had qualities both retro and absurdist. Adding to the fun
were the satiric PSAs entitled “How to Be Swell,” the Adventures of Milkman, the Block Party Summer marathons (presented in VertiVision!) and the appearances of Dick
Van Dyke, who proudly served as Nick at Nite’s Chairman.
Sadly, like many wonderful
things in this life it was a lovely moment in time that didn’t last.
Gradually the shows of the
1950s-1970s gave way to the shows of the 1980s and 1990s. When that happened,
even though new arrivals like Taxi and All in the Family could rightly be
called classics as well, the innocence was gone. Suddenly, seemingly overnight, Nick at NIte was no longer a network
that, as I described in one of my books, specialized in “the kind of shows that
went well with warm blankets, pajamas, and graham crackers on a TV tray.”
More than 30 years after
the debut of Nick at Nite, the success of MeTV and Decades proves there is
still an audience that cherishes Comfort TV, and gladly shuns the ever-passing
pop culture flavors of the week to live proudly in the past. It also suggests
that these series are attracting new viewers as well, which brings me some hope that
the shows I love will not one day be relegated to the dustbin of history.
Today I own every episode
of every show I used to watch on Nick at Nite, and it’s wonderful to be able to
see them whenever I wish. But as I wrote in one of my first Comfort TV blogs, that
certainly makes TV viewing more convenient, but it also makes it less
significant. If you can do something any time you want, there’s nothing special
about doing it.
With Nick at Nite, every night was special.
YES! Absolutely yes to this. :D
ReplyDeleteDitto, David. You absolutely get what makes classic TV comfort TV. Sadly, that knowledge didn't extend to the executive suite.
ReplyDeleteMr. Hofstede, does some part of you fear that streaming will more or less BECOME cable after most everyone is moved over, replete with such things as crawls on the screen and talked-over credits? Check out the following URL:
ReplyDeletehttps://classictvhistory.wordpress.com/2013/03/07/doing-it-right/
I also very much enjoyed Nick-at-Nite when I first discovered it in college, and then I loved TV Land at first. Unfortunately by my own choice I didn't have cable tv for most of the 90s, so I missed out on a lot of this classic tv. TV Land now has "classic" garbage like ROSEANNE and new and worse garbage like its original sitcoms. At least Me-TV still respects the desire of so many of us to see good classic tv, even going back more than 60 years in some cases.
ReplyDeleteLet's not forget TV LAND - which for it's first 5 years was as good as classic NICK@NITE was,perhaps moreso.
ReplyDeleteI remember when Nick at Nite ran Looney Tunes late nights! Good times... Of course, I also remember when Comedy Central ran The Ernie Kovacs Show (theme by Jon Hendricks!). More good times... :)
ReplyDeleteReally got into Nick at Nite in the late 80s when they ran CAR 54 and SCTV nightly. Had LAUGH-IN for a while too. Was ecstatic when they added F TROOP, DOBIE GILLIS and PATTY DUKE a few years later. Great times for a long time.
ReplyDeleteI was just thinking the other day that we watch MeTV now the way we watched Nick at Nite then. But MeTV doesn't have anything as great as the My Three Sons Singalong:
ReplyDeletehttps://www.youtube.com/watch?v=gpTTNAbHSNY