Classic TV Theme Music Challenge: Mike Post vs. Henry Mancini

 

Many great composers have contributed memorable songs to our classic TV heritage. What would The Addams Family be without Vic Mizzy’s finger-snapping introduction? How much excitement did Neil Hefti’s brassy Batman theme add to the anticipation of another colorful superhero adventure?  And has there ever been a more perfect match of music to series than what Lalo Schifrin composed for Mission: Impossible?

 

But if we’re assessing by quantity, the two most successful composers of television theme music are Mike Post and Henry Mancini. Mancini has the more distinguished reputation because of his equally impressive film scoring (The Pink Panther, Breakfast at Tiffany’s, Days of Wine and Roses). But Post’s TV credits are untouchable – or are they?

 

Let’s have the two most prolific TV tunesmiths square off in a series of battles and see who comes out on top.

 

Battle of the Cop Shows: Hill Street Blues (Post) vs. Cade’s County (Mancini)

This one is no contest. With Hill Street Blues, Post opted to forego a driving, action-oriented theme that viewers may have expected for a series that depicted so many violent urban confrontations, and instead opened the show with a gentle, piano-driven melody that reached #10 on the Billboard Hot 100.  

 

Cade’s County also has its admirers, but it sounds too much like too many other themes to long-forgotten shows.

 

Winner: Mike Post

 

Battle of the Sitcoms: Blossom (Post) vs. Newhart (Mancini)

What made the Blossom opening sequence memorable was Dr. John’s vocals and Mayim Bialik’s endearingly goofy dancing.

 

Which makes Newhart an easy choice – it has all the lush instrumentation one expects from Henry Mancini, and provides the ideal soundtrack for a summer drive through the Vermont woods.

 

Winner: Henry Mancini

 

 

Battle of the Detective Shows: Magnum P.I. (Post) vs. Remington Steele (Mancini)

Post’s music for Magnum P.I. boasts a memorable guitar riff and is quintessential ‘80s, which is not necessarily a bad thing. Remington Steele counters with a more classical-sounding strings section and a steady drum downbeat, followed by a sexy saxophone to accompany Steele kissing Laura’s hand. Close call, but the variations within the theme give the edge to Manci

Winner: Henry Mancini

 

 

Battle of the Superheroes: The Greatest American Hero (Post) vs. The Invisible Man (Mancini)

“Believe It Or Not” reached #2 on the Billboard Hot 100, and enjoyed an encore moment of notoriety thanks to Seinfeld’s George Costanza. But with its opening harp glissando and killer bass line, Mancini’s Invisible Man theme makes this a little closer than anticipated. Still, Post takes this round.

 

 

Winner: Mike Post

 

Battle of the Detective Shows, Pt. 2: The Rockford Files (Post) vs. Peter Gunn (Mancini)

 

This is easily the closest contest. The jazzy Peter Gunn theme is iconic; it earned Mancini both an Emmy and a Grammy, and has received praise as the best TV theme of all time. But The Rockford Files theme also won a Grammy and was a top ten hit. Two truly great and memorable pieces of music, but only one can win.

 

Winner: Henry Mancini

 

 

Battle of the George Peppard Series: The A-Team (Post) vs. The NBC Mystery Movie (Mancini)

The A-Team music is vintage Post, powerful military bombast perfect for a backdrop of never-ending explosions and carnage. But after just one listen the eerie, whistling theme that introduced Banacek and all the NBC Mystery installments is almost impossible to get out of your mind.

 

Winner: Henry Mancini

 

 

Battle of the Rogues: Hunter (Post) vs. Mr. Lucky (Mancini)

In this head-to-head between two shows about two guys unafraid to skirt the law, the winner is no contest. Mancini takes three in a row.

 

Winner: Henry Mancini

 

Battle of the Man Shows: Hooperman (Post) vs. Man of the World (Mancini)

Okay, this is starting to get embarrassing

 

Winner: Henry Mancini

 

Battle of the Forgotten Shows: Tales of the Gold Monkey (Post) vs. Kingston Confidential (Mancini)

At last, Post strikes back. His exotic, retro theme for Tales of the Gold Monkey hits the right notes for a series that claimed to be based on Howard Hawks’ Only Angels Have Wings, but really wanted audiences to think they were getting a weekly dose of Indiana Jones adventure. Kingston Confidential must have caught Mancini on an off day. 

 

 

Winner: Mike Post

 

Battle of the Los Angeles Based Shows: L.A. Law (Post) vs. What’s Happening! (Mancini)

It’s a testament to Mancini’s versatility that he could forego his jazzy, orchestral preferences for something as funky and bouncy as his work on What’s Happening!. 

 

 

And yet…I think Post deserves the win here. There’s a darker tone in this composition that fits a series that often explored the darker side of courtroom proceedings. And that pounding drum beat could be the pounding of a judge’s gavel. Both themes fit their respective shows well, but in this case the court rules for Post.

 

Winner: Mike Post

Bonus Round: Doogie Howser, M.D. (Post) vs. Hotel (Mancini)

I was ready to give one more to Mancini right away; Hotel boasts a sprawling, full-bodied theme worthy of a feature film, and it seems to have as many movements as a symphony. But Post was very clever with what he did for Doogie Howser, with a play of synth and electronic sounds that match Doogie’s computer entries and the beeps of hospital monitors. But, as I’ve always thought the best music should have a timeless quality, I’ll stick with my first choice.

 

 

Winner: Henry Mancini

 

And so, in this most unofficial, un-scientific and (arguably) unnecessary exercise, it is Henry Mancini who takes the title. Disagree? Let me know.

The Top 20 TV Theme Songs of the 1980s

 

As with last year’s series of blogs on essential television series by decade, this series on theme songs will also conclude with the 1980s. Not only is this the last decade that qualifies as Comfort TV, it’s also the last one where a theme song was an essential part of the viewing experience. It might be an interesting challenge to try and find 20 great songs form the 1990s, but I fear the selections would be pretty scarce after Friends, Buffy the Vampire Slayer and The X-Files.

Cheers

The 1980s doesn’t seem like that long ago – to me, anyway – yet think about how times have changed. Back then an ode to a bar as heartening as “Where Everybody Knows Your Name” was actually commended, and not condemned for encouraging alcoholism. 

Hill Street Blues

Another outstanding (and Grammy-winning) theme from Mike Post, the genre’s most prolific and successful composer. Good thing he came up with something this appealing for Hill Street Blues, since it would have to play long enough to introduce what seemed like 30 or 40 regulars in every episode. 

The Golden Girls

“Thank you for Being a Friend” was written and recorded by Andrew Gold in 1978, and then revived (with new vocals by Cynthia Fee) for this beloved sitcom. It’s a perfect fit.

Miami Vice

If any television theme screams 1980s, it’s this electronic musical assault from Jan Hammer. Probably not the sort of piece you listen to very often anymore, but then not everything that seemed cool 30 years ago has managed to retain that status.

Wings

And while some compositions like the Miami Vice theme have their moment in the sun and then fade into history, others endure for hundreds of years. The Wings theme is actually the Rondo movement from Franz Schubert’s Sonata in A, written in 1828. Sadly, it only lasted through the series’ first season and half of season two. 

The Greatest American Hero

The Joey Scarbury hit “Believe it or Not” is one of those songs that are kind of awesome and kind of terrible at the same time. But who didn’t love the pop culture boost it received from George Costanza’s answering machine on Seinfeld?

Jayce and the Wheeled Warriors

‘80s kids grew up with cartoons created primarily to sell toys. The themes were mostly generic, but the intro to Jayce and the Wheeled Warriors had an over-the-top hair metal vibe that still sounds great. And the toys were underrated too.

Twin Peaks

Perhaps no other series used music to establish tone and atmosphere as effectively as Twin Peaks. The extraordinary theme and score by Angelo Badalamenti created a sense of foreboding that hung over every scene. It’s impossible to think of the show without it. 

It’s a Living

With its full orchestra and soaring vocal arrangements, this lively theme sounds like something written for a classic 1940s Broadway musical. 

St. Elsewhere

Dave Grusin’s lilting jazz theme for this always excellent (and always low-rated) drama was the best of his many television works, which also include the themes for Maude, Good Times and It Takes a Thief. 

Newhart

Bob Newhart’s second successful sitcom had a subversive streak that belied its bucolic setting. But its simple, beautiful theme had no such undertones. It’s just a really sweet and cozy piece of music from Henry Mancini, a composer who also contributed to my list of top 20 themes from the 1950s. 

The Winds of War

Technically this was a miniseries, but there were 14 episodes between The Winds of War and its sequel, War and Remembrance, and that’s more than some shows manage. The magnificent theme was created by Robert Cobert, whose work with series producer Dan Curtis dates back to their days on Dark Shadows. 

Moonlighting

If you look back over TV history, you find that all of the coolest shows have music that complements this admirable quality. Do the songs become cooler by association, or do they succeed on their own merits? With Moonlighting the answer is obvious. One can groove to Al Jarreau’s jazzy theme without ever meeting David Addison, Maddie Hayes or Miss DiPesto.

My Sister Sam

Not a lot of happy memories associated with this situation comedy, given the tragic murder of costar Rebecca Schaeffer. But it was a good show with much potential, and a theme in Kim Carnes’ “Room Enough for Two,” that under different circumstances would be much better known. 

Thirtysomething

This soothing piece by W.G. Snuffy Walden always reminds me of Pachelbel’s Canon in D.

It’s Garry Shandling’s Show

Here is the first theme song to send up the very concept of the theme song. Shandling’s self-aware series was a forerunner to the kind of meta-television we take for granted now. 

Highway to Heaven

David Rose wrote music for three shows starring Michael Landon ­– Bonanza, Little House on the Prairie and Highway to Heaven. And each time it set the appropriate mood for the stories that followed. I like the trumpet on this theme better than the one on Dynasty. 

The A-Team

A rousing march and one last curtain call for Mike Post, who (with long-time partner Pete Carpenter) scored a big part of our classic TV heritage.

Beauty and the Beast

One of television’s most beloved cult series was graced by a theme (by Lee Holdridge) with all the romance and gravitas of a classic film score. Check out the beautiful rendition by the City of Prague Philharmonic Orchestra.

Duck Tales

Those infectious “Woo-hoos” have stuck with Generation X the same way that “Watch out for that tree!” can still make a Baby Boomer smile after all these years.