Showing posts with label Shelley Fabares. Show all posts
Showing posts with label Shelley Fabares. Show all posts

Thursday, March 9, 2023

Where Have You Gone, America’s Sweetheart?

 

Unless I missed one somewhere, it seems like many years (decades?) since any celebrity has been hailed as “America’s Sweetheart.” And that’s really not surprising, as it’s the kind of designation that many would now consider demeaning – an archaic expression left over from the oppressive patriarchy. Women don’t exist to be our collective sweethearts…etc.

 

I wonder how the stars of an earlier era felt after having that description bestowed upon them. They probably didn’t see it as demeaning, as there was sincere admiration behind what was intended as a compliment; but I could see how it might be limiting. Once you’re dubbed “America’s Sweetheart” you can’t be spotted doing Tequila shots at a biker bar.

 

It’s an expression that belongs to another time and place, when the public persona of celebrities was more carefully crafted, and millions of people didn’t have phones with video cameras in their pockets, always ready to catch the moment when a beloved public figure slipped from her pedestal. Everyone is an open book now.

 

When the term was in vogue it fit naturally onto some Comfort TV stars, praising some combination of the characters they played and the delightful intrinsic qualities of beauty, charm, and kindness they brought to the role ­– or, in the case of variety show stars, the warm and engaging personality they projected. 

 

 

Who were they? I offer ten selections below.

 

I could find no official criteria for Sweetheart status, but it stands to reason that one prerequisite is a certain level of national acclaim – you can’t be America’s Sweetheart if most of America doesn’t know who you are. That was easier to do in the pre-cable era of television when we were all watching the same shows.

 

It’s also a phrase associated with wholesomeness and even innocence – If you went out with America’s Sweetheart you didn’t take her back to your place – you took her to the malt shop, or home to meet mom. Of course we knew we never had a chance with these lovely paragons – but at least they would be nice enough not to laugh if we asked them out.

 

Annette Funicello

The Mouseketeer turned beach girl turned Skippy spokeswoman was the first America’s Sweetheart created by television. At the age of 15, Annette received 6,000 fan letters a month. And unlike many young women who would bristle at being associated with family-friendly Disney entertainment (back when Disney still provided that), she accepted the responsibility she felt came with that fame. That was why she went along with Walt Disney’s request that she only wear a one-piece bathing suit in her beach movies with Frankie Avalon. 

 

 

There’s a reason why the generation that first loved her never lost that devotion, and grieved so deeply when she was diagnosed with MS, and later passed from that disease. Read some of the comments on her YouTube videos. They’re incredibly touching.

 

Shelley Fabares

Another obvious choice, but I sang her praises already in a recent tribute blog so let’s move on.

 

Karen Valentine

Through her Emmy-winning portrayal of teacher Alice Johnson on Room 222, Karen Valentine had that plucky underdog quality that put viewers in her corner as she coped with the challenges of a difficult and sometimes hazardous profession. She was naïve and nervous but never dumb – this was not a series that would ever portray a teacher that way. Sadly, Valentine never found another role as perfect for her, but this one is enough to secure her Sweetheart status. 

 


Goldie Hawn

Even among a cast as big and colorful and talented as the stars of Rowan & Martin’s Laugh-In, Goldie Hawn always stood out. Was she really that ditzy blonde who couldn’t read a line without giggling, or was that as much a made-up character as Lily Tomlin’s Ernestine? We found out later that at least some of her confused responses and spontaneous laughter were authentic, because producers would slip  new, unexpected (and occasionally dirty) words into the cue cards they had her read.  Either way, for a while it was one of the most adorable things on television. 

 

 

Sally Field

Had Gidget lasted longer than one season, it might have locked her public persona in permanent Sweetheart mode. Maybe it still did, as three years of wearing a nun’s habit still couldn’t shake that image. Like Goldie Hawn she made the jump to movies when that was still a rare feat, and won an Oscar. But even now, in her ‘70s and after a long and distinguished career, she still resembles that girl who’s ready to grab her surfboard and ride the next big wave. 

 

 

Doris Day

Doris Day first acquired Sweetheart notices when she was still a band singer in the 1940s, and kept them through dozens of movie musicals. By the time The Doris Day Show debuted in 1968, she had held onto the affection of her audience for more than 25 years, a testament to how “America’s Sweetheart” status is something you can never outgrow. Day also enjoyed poking fun at her image with typical Midwestern modesty, especially on her many wonderful TV specials. She understood that it was nice to be thought of in such an affectionate way, but one didn’t have to take it too seriously. Oh, for the days when we didn’t take everything so life-and-death seriously. 

 

 

Mary Tyler Moore

She had already played a happily married wife and mother on The Dick Van Dyke Show, and to great acclaim. But Mary’s America’s Sweetheart status didn’t really kick in until The Mary Tyler Moore Show. As a single 30-ish career woman trying to make it on her own, Mary Richards always had the audience on her side while dealing with an occasionally intimidating boss, an egotistical news anchor, and a never-ending succession of bad dates.

 

Marie Osmond

I know for a fact that a lot of teenage boys who had the Farrah Fawcett poster on their wall in the 1970s also harbored a secret crush on Marie Osmond. 

 


It wasn’t cool to like the Osmonds back then, but if you watched Donny & Marie (secretly or otherwise) you saw those moments when she subtly let you know she thought a lot of this stuff was pretty corny too, even as she gladly delivered punch lines in whatever crazy costume that week’s comedy sketch required. 

 

 


Valerie Bertinelli

The 1970s were a decade with more beautiful prime time stars than any other; there were Charlie’s Angels, of course, and Wonder Woman, the Bionic Woman, Daisy Duke, and your Cruise Director Julie McCoy – but they were all impossible dreams. And then there was Valerie Bertinelli, who was likewise out of my league, but at least she was in my age group. 

 


Was there really any other reason to watch One Day At a Time, at least until fellow Sweetheart Shelley Fabares joined the cast? She had one of those smiles that just burst through the TV screen and into your heart. No wonder Eddie Van Halen married her; if we were Eddie Van Halen, that’s exactly what we would have done too.

 

Katie Couric

Look, I don’t make the rules. And I get that this is a status a journalist would reject more vociferously than an actress or singer. But when Couric joined NBC in the ‘80s and got promoted to Today Show cohost not long after, that title locked onto her like a targeting missile and wouldn’t let go. 

 

 

Who did I miss? Did you have an ideal America’s Sweetheart classic TV star? Is there anyone on TV now that would qualify? Let me know!

Sunday, January 29, 2023

Ten Reasons Why Shelley Fabares Is a National Treasure

 

Shelley Fabares had a birthday last week – as a gentleman I won’t specify which one. But she is someone I have always delighted in seeing on my television, and this occasion provides a perfect chance to share that sentiment. 

 

 

As I wrote years ago about Brooke Bundy, it’s not a response that I can easily explain, nor do I feel the need to dissect and analyze it. Her smile makes me smile. Her voice reaches my eardrums like music. And though I know her primarily through the characters she has portrayed on TV for more than 30 years, I am absolutely certain that the real Shelley must be a kind and wonderful person.

 

Why do I think she’s a national treasure? Let me count the ways.

 

She Almost Saved The World On The Twilight Zone (1954)

The episode “Black Leather Jackets” doesn’t rank alongside top-tier TZ episodes like “Living Doll” and “Time Enough At Last,” but it’s unintentionally goofy enough to merit at least one viewing. Three alien teenagers in masks and black leather jackets ride into an unnamed town planing to poison every being on earth by dumping deadly bacteria into the water supply. And they would have gotten away with it too if it weren’t for that meddling Shelley Fabares as Ellen, who catches the eye of one of the aliens. They fall in love, and live happily….no, unfortunately the invaders complete their mission and everyone dies. But at least she tried.

 

“Annette” (1958)

I’ve celebrated my affection for this Mickey Mouse Club serial before in this blog. To me it is one of the most ideal examples of what Comfort TV should be, not just because it features Shelley alongside Annette Funicello, Tim Considine, Roberta Shore and several of the original Mousketeers, but also because it costars several other familiar and always welcome presences in Mary Wickes and Richard Deacon and Doris Packer. Fabares plays the unfortunately-named Moselle Corey (if anyone out there knows anyone actually named Moselle, please let me know), one of the in-crowd teens who come to embrace newcomer Annette. Every tine I watch it I also happily remember how Annette and Shelley first met here, and remained close friends until Annette’s passing. 

 

 

The Donna Reed Show (1958)

As Mary Stone, Shelley Fabares was the Marcia Brady of the 1950s: smart, popular, pretty, well behaved, and just a little full of herself. She and Donna Reed created one of the most supportive and likeable mother-daughter relationships on TV, and they looked so much alike some viewers probably believed they were actually related. Fabares left the series after its fifth season, and the show was never the same.  




“Johnny Angel” (1962)

Shelley Fabares never aspired to be a singer, especially as she knew she wasn’t very good at it. But every TV series wanted its own Ricky Nelson after he began performing hits on The Adventures of Ozzie & Harriet. So Shelly and her sitcom brother Paul Petersen were both ordered to cut a record, and Shelley sang “Johnny Angel” on a season four episode of The Donna Reed Show called “Donna’s Prima Donna.” The song reached #1 on the Billboard chart in March of 1962. I don’t know how anyone could watch this two-minute clip and not fall a little in love.

 



“The New Look” (1963)

In this Donna Reed episode, one of Mary’s boyfriends makes the mistake of trying to compliment her with the word “wholesome.” That sends Mary into a tailspin of self-doubt and a desire to change her goody-goody image. What follows is a dream sequence set at the neighborhood malt shop; Mary enters in a dazzling, form-fitting white dress, twirling a parasol and sporting a more sophisticated hairstyle. And all the boys who fell in love with her demure smile and button nose suddenly saw, for the first time, the Shelley Fabares that would catch Elvis’s eye just two years later. No one ever put sweet and sexy together with more potency.

 

She could make an Elvis movie almost watchable (1965-1967)

With the exception of Viva Las Vegas and a few select moments in King Creole and Jailhouse Rock, the Elvis Presley filmography is hardly more distinguished than that of Pauly Shore.  But Shelly Fabares pops up as the love interest in three of the King’s standard B musicals – Girl Happy, Spinout, and Clambake – and now when I stumble across them on TCM I usually stick around for a while. 

 

 

Brian’s Song (1971)

One of the most celebrated and beloved made-for-TV movies followed the friendship of Chicago Bears players Gale Sayers (Billy Dee Williams) and Brian Piccolo (James Caan). Shelly Fabares plays Piccolo’s wife, Joy. It’s a smaller role but watch the scenes in which Joy listens with rapt attention to Brian while he tells stories over dinner, or how you can read her emotions as Brian tries to defy his terminal diagnosis with plans to play next season. They are small moments, but memorable ones.

 

 

One Day At a Time (1978)

As Francine Webster, Fabares engaged in an office rivalry with Ann Romano that unfolded over more than 30 episodes across five seasons. Granted, most of these happened after the series no longer resembled its “single mom raising two daughters” foundation, so they are not as well remembered as they should be. But it was fun to watch Shelley play someone nasty for a change – who knew she had that in her?

 

Highcliffe Manor (1979)

You can always separate the true Shelley Fabares fans from the average admirers by whether they actually sat through this short-lived send up of horror clichés and soap operas. If you’re in the right mood it can be fun to watch a game and talented cast try to salvage something out of substandard material. 

 

 

Coach (1989)

Future generations will debate how this series lasted nine seasons, and will conclude it has less to do with star Craig T. Nelson, engaging as he was as college football coach Hayden Fox, and more to do with the folks around him. Second banana Jerry Van Dyke deserved some good TV karma after turning down the lead role in Gilligan’s Island for My Mother the Car. As news anchor Christine Armstrong, Fabares’s relationship with Nelson’s coach personified all the clichés of a refined lady dating a lunkhead, but there was chemistry there that delivered the goods. More important, it put Shelley in a class largely by herself; how many TV stars can claim memorable roles in the 1950s, ‘60s, ‘70s, ‘80s and ‘90s? That’s how you become a national treasure.