Showing posts with label The Beverly Hillbillies. Show all posts
Showing posts with label The Beverly Hillbillies. Show all posts

Thursday, December 8, 2016

The Ten Funniest Situation Comedy Episodes By Decade: The 1960s


The 1960s was the last decade in which situation comedies favored idealized versions of American life. There would be send-ups of current events, from the British invasion to the spy craze, but the humor was always more sweet than cynical, mischievous instead of mean. That was probably a relief to many Americans as the turbulent decade progressed away from the staid status quo of the 1950s into an era of war, assassinations and political turmoil.  

These were the funniest sitcom episodes of the decade. As with the 1950s list, a two-show per series limit still applies – which sadly renders ineligible about 30 more episodes of Get Smart.

The Dick Van Dyke Show
“The Curious Thing About Women” (1962)
While this list is not a top-ten ranking, I wanted this episode to be first because for me it was not just another hilarious show in a brilliant series. Watching it first in syndication as a kid, and many times thereafter, my future career aspirations were inspired by the office scene where Rob, Sally and Buddy develop an unremarkable event (Laura opening Rob’s mail before he gets a chance to read it) into a classic comedy sketch. I can’t think of another scripted moment on TV where the abundant joy of creativity that writers occasionally experience was more perfectly expressed. The scenes with Mary Tyler Moore and the inflatable raft were pretty funny too. 



Bewitched
“The Joker is a Card” (1965)
“Yaga-Zoo-Zee, Yaga-Zoo-Zee, Yaga-Zoo-Zee-Zim!”
Paul Lynde makes his first appearance as Samantha’s practical joke-obsessed Uncle Arthur, and it’s one for the ages. Every moment he’s in this is perfect, especially when he offers to teach Darrin a spell to put Endora in her place. The payoff scene is as celebrated a moment as Bewitched ever produced. 



Get Smart
“Mr. Big” (1965)
Everything that made Get Smart one of the funniest series from any decade was already in place in its first episode, written by Mel Brooks and Buck Henry. You got your shoe phone, your Cone of Silence, and a villain sure to incite offense in humorless defenders of political correctness. 



The Lucy Show
“Lucy and Viv Build a Shower” (1963)
While Vivian Vance would remain with The Lucy Show for another two seasons, this episode features the final classic physical comedy sequence that she and Lucy would share. They worked so well together by this time that the shower scene was not even rehearsed before it was filmed. 



Green Acres
“Don’t Call Us, We’ll Call You” (1965)
The first season of Green Acres features one long story arc as Oliver and Lisa Douglas leave New York for Hooterville, so Oliver can pursue his farm livin’ dreams. Every episode brings more surreal frustration; here, having just mastered the generator in the previous episode (“You can’t have a 2 with a 6”), he now finally gets his phone installed – at the top of a telephone pole outside his bedroom window. 



The Andy Griffith Show
“The Big House” (1963)
“Here at the rock we have two basic rules…the first rule is…obey all rules.”
Whether it’s Andy or Opie and Aunt Bee or Floyd or even Otis, whomever you meet in Mayberry will make you feel welcome. But if you’re looking for laughs, the episodes featuring Don Knotts’ as Barney Fife cannot be topped. In “The Big House,” the state police temporarily lodge two hold-up men in Mayberry’s jail, allowing Barney to play hard-boiled lawman. They promptly escape – not once but three times. 



Get Smart
“A Man Called Smart, Part 1” (1967)
Of course you’ll want to watch all three parts of this story, which was originally intended for theatrical release. But it’s the first installment that features a masterpiece of slapstick comedy starring Don Adams, a stretcher and a revolving door. Adams, whose distinct voice and catchphrases were a big part of the show’s success, never utters a word throughout the sequence, and still earns huge laughs. There is also an innovative opening chase scene that portends Adams’ association with Inspector Gadget. 



The Dick Van Dyke Show
“Coast-to-Coast Big Mouth” (1965)
The first episode of the show’s fifth and final season contains the most memorable of Carl Reiner’s always-welcome appearances as Alan Brady. The story has Laura going on a game show and getting tricked into revealing that Brady is bald. Rob’s horrified reaction is hilarious, but the highlight finds Laura trying to save her husband’s job. Her confrontation with Alan, as he sits glowering at his desk behind a display of now-useless hairpieces, remains one of the series’ best moments. 



The Beverly Hillbillies
“The Giant Jackrabbit” (1963)
This is probably the most famous episode out of nine seasons, and while I could make a good argument for a few other classics this is one time where I’m content to follow the crowd. The ‘A’ plot has Granny in full Wile E. Coyote mode, trying to trap a kangaroo she mistakes for a jackrabbit. The ‘B’ plot has the Clampetts trying to order food from a caterer – in the annals of funny one-sided phone conversations, this one is up there with the best of the master, Bob Newhart. 



Hogan’s Heroes
“Will the Real Adolf Please Stand Up?” (1966)
Hogan’s Heroes took the evil sting out of the German army through the bumbling antics of Col. Klink and Sgt. Schultz – but what would happen if the neutered Nazis ever met their fuhrer? Here, Sgt. Carter impersonates Hitler, to distract the commandant while Hogan smuggles secret plans to the underground. Larry Hovis creates the funniest take on one of history’s worst monsters since The Producers. 



Next: The 1970s

Monday, September 26, 2016

The Duke and The Clampetts: Politically Incorrect Moments in Classic TV History


“The Indians are Coming”
The Beverly Hillbillies

In the course of researching a magazine article I am writing on John Wayne, I was reminded of a 1967 episode of The Beverly Hillbillies in which Mr. Wayne makes a cameo appearance.

As I watched, my internal commentary kept repeating the same sentence: you couldn’t get away with that anymore. This nearly 50 year-old episode of a network situation comedy would now be deemed terribly offensive. 



You know what apparently isn’t offensive? Game of Thrones, the series that just won the Emmy for Best Drama. That’s the show that has featured, among other things, multiple rapes and graphic beheadings, a woman paraded naked through the streets and pelted with garbage, a child strapped to a stake and set on fire, and a brother and sister spending a special kind of quality time with each other that siblings don’t usually share.

Isn’t it wonderful living in such enlightened times?

But I digress.

Co-written by series creator Paul Henning, “The Indians are Coming” opens with the Clampetts learning about a minor border issue between their oil land and the adjoining Crowfeet Indian reservation. To the Indians, it’s a simple matter easily settled, but to Granny this can only mean one thing – the Crowfeet are on the warpath: “Except for John Wayne, nobody knows injuns like me!”

Down at the bank, Mr. Drysdale is also roused by the news: 

“They hit a gusher there! Send a message to my red brothers – Milburn Drysdale speak with straight tongue…send all black wampum my bank, we put in solid steel teepee.”

Miss Jane: “No…there’s been a boundary dispute and the Indians are claiming part of the Clampett oil land.”

Drysdale: “Why those dirty, thieving savages!”

The tribal representatives, Chief Running Wolf and his son, are cultured 20th century men (Chief Running Wolf graduated from Oxford), who realize the minor boundary issue could have been handled by correspondence, but they wanted to see California.

When they arrive at the bank they find Drysdale in full buckskins and feathered headdress, spouting every Indian cliché from every western movie. The Chief and his son play along, letting him embarrass himself further.  



By now, Granny has heard that the Crowfeet are coming to Beverly Hills, and tries to alert the community: “The injuns are coming! Put your cars in a circle!”

While Jed has a cordial meeting with Chief Running Wolf, Mr. Drysdale finds Granny preparing for a full-scale attack, and ready to return home to fight there if she can’t fight the enemy in Beverly Hills. To avoid the Clampetts leaving and taking their deposits with them, he calls a movie studio and orders up a staged Indian attack (after removing all the real ammunition from Granny’s gun).

Once the mock siege is turned away Granny, none the wiser, sits quietly in her rocker, and that’s when John Wayne appears: "I understand you were looking for me." Granny slowly stands and asks, "Where was ya when I need ya, John?" 



Is “The Indians are Coming” offensive? To those with a Pavlovian response to racial slurs regardless of context, absolutely. Expressions like “red savages,” “redskins” and “red devils” are liberally sprinkled throughout the episode.

But here’s the thing: those expressions are used only by characters that are unsophisticated and self-serving. As a result, they do not degrade the Native-Americans, portrayed as sophisticated, kind and tolerant, but instead reveal the callowness of those who use them.

When Jethro enters a hotel room where the two Native-American representatives are dressed in business suits and says, “Wrong room, Uncle Jed, we’re lookin’ for a couple of ignorant Indians,” it’s funny because Jethro, as stupid a character as TV has every introduced, is calling someone else ignorant while personifying that description.

And when Mr. Drysdale, moved by consuming greed, tries to placate Chief Running Wolf with colorful beads and trinkets, the scene works because of the over-the-top silliness of his insensitivity, as well as the bemused response it receives from its recipients. 

Of course, none of this will matter to those hell-bent on eradicating any words, symbols or subjects perceived to be hostile to any sub-section of the human race. 

Will you laugh? I know I did. It’s one of the funniest sitcom episodes I’ve watched in recent months. Irene Ryan is a force of nature playing Granny’s gung ho fighting spirit. But humor is subjective, and I’m sure there are those who find this type of comedy a relic of a previous age that is best forgotten. 

The entire unedited episode is on YouTube - let me know what you think.