The most beautiful music
ever written for television was composed to underscore a commercial for a
Canadian tea manufacturer.
But before we finish that
story…
One of the more interesting
aspects of growing older is how it changes your perspective on any number of
things. Some people change political parties. Some move closer to or further
away from religion. Some discover the joys of golf after racquetball becomes too
strenuous.
My change of heart concerns
what used to be called “muzak,” particularly by me in my teenage years.
I used to hate it. Now the
lush instrumentals of Ray Conniff, Percy Faith and Paul Mauriat have become a peaceful
refuge from a world that keeps growing louder (Dear everyone: I have no interest in your cell phone conversations; why
are you forcing me to listen to them?).
Sirius XM channel 69
(“Escape”) – no better way to chill out after a stressful day.
Television has inspired
many serene compositions that would fit comfortably into the easy listening
genre. Some of my favorites include:
Quentin’s Theme (Shadows of the Night)
Bob Cobert’s melancholy
waltz, introduced on Dark Shadows,
was recorded by more than 20 artists, including Andy Williams, and earned a
Grammy nomination in 1969.
You’re My Greatest Love (Theme from “The Honeymooners)
Written by series star
Jackie Gleason, this romantic orchestral piece admittedly seemed at odds with
the thunderous arguments in so many episodes.
Angela (Theme from “Taxi”)
I’ve been a fan of smooth
jazz artist Bob James for years. This is his best-known composition. As with The Honeymooners it’s a gentle theme for
a volatile show, but somehow it works.
Laura’s Palmer’s Theme (Twin Peaks)
Angelo Badalamenti’s music
is too ominous for relaxation, but one cannot deny its sway. The sadness of the
subject is expressed in somber, heartbreaking tones, with piano interludes that
bring some hope of light amidst the darkness. When the piece ends, however, you
know which side won.
But for me, the most
beautiful song ever written for television (See? I didn’t forget!) is “The
Homecoming,” written by Hagood Hardy and introduced in a 1970s commercial for
Salada Tea.
It can be difficult to put
into words why a piece of music resonates – or fails to resonate. I guess
that’s why in nearly 40 years of rating records on American
Bandstand, almost every answer to Dick Clark’s question about a new single
was, “I like the beat, and it’s easy to dance to.”
In this case neither of
those attributes apply. “The Homecoming” has no beat and I doubt anyone has
ever danced to it. It’s more Mantovani that Mozart but there is a sublime classical
quality to the piece that is part of the reason it appeals to me. The opening strains
in particular remind me of a Debussy nocturne. I love the gentle, wistful
melody. I love the glissando of strings at the 1:46 mark. I love that it sounds
like a walk through a forest.
I’m still not sure what it
has to do with tea. The original commercial in which it was introduced is not
on YouTube, but I hope to see it one day and fill in the rest of that story.
The music also has no
connection to The Homecoming, a 1971
made-for-TV movie of the same name that introduced the Walton family to
television. It’s still worth watching if you can get past Patricia Neal as a
much bigger sourpuss than Michael Learned ever was as Olivia Walton.
Hagood Hardy’s musical
legacy includes one other gift in his contribution to the revered 1985
television adaptation of Anne of Green
Gables.
Composing music as spectacular
as the series’ Prince Edward Island setting was a formidable challenge. I think
he succeeded.
Sadly, Hardy died in 1997
at the far-too-young age of 59. His 2012 CD “All My Best” is recommended for anyone
who shares my appreciation for his work.
What do you think is the
most beautiful music written for television?
I like your selections here. I also emotionally connect with the theme to "Family." The Rubinsteins know their way around a good tune.
ReplyDeleteI was in L.A. last month and drove by the 'Family' house. Still looks the same! And the show did have a memorable theme. Sorry now I didn't mention 'The Incredible Hulk ('The Lonely Man')' as well, as someone suggested on my Facebook page.
DeleteI believe Valjean's "Theme From 'Ben Casey'" deserves an honorable mention.
ReplyDeleteThough I've never been a fan of DARK SHADOWS, I am impressed that it's so well-preserved compared to its contemporary soaps. I love QUENTIN'S THEME as both instrumental & vocal. My favorite vocal version of the song is not Andy Williams' version but that of his then-wife, Claudine Longet. I couldn't find it on YouTube when I last looked for it, but her French accent helps add to the song's mysterious sound for me.
ReplyDeleteThanks for alerting me to THE HOMECOMING theme. I think it's fantastic. I'm sure I've heard it before, but like a lot of instrumentals, it's hard to know their names, since they're never mentioned in the song.
I don't think I've heard the Claudine Longet version, but I am intrigued to do so now!
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