Thursday, August 24, 2023

TV’s Worst Decisions (According to Rolling Stone and Me)

 

The once-respected music mag Rolling Stone is once again dabbling into areas where it has no business, this time compiling a list of the 50 Worst Decisions in TV History. Yeah, I couldn’t resist checking it out.

 

As this blog only covers television from the 1950s through the 1980s, most of their selections do not concern us here. In fact, there were just eight entries out of 50 from the Comfort TV era, which either means television was a lot smarter back then, or the staffers who compiled this list believe there was nothing worth watching until Game of Thrones.

 

Let’s review their classic TV era choices, before I offer some of my own (and, I would humbly add, better) suggestions:

 

The Mystery of Al Capone’s Vault (#41)

When Geraldo Rivera learned of a sealed vault underneath Chicago’s Lexington Hotel, then scheduled for demolition, he saw an opportunity to speculate whether the city’s most famous mob boss may have left some historical artifacts (or a few dead bodies) inside. The channels that picked up this special in syndication did not think this was a poor decision – the special pulled an enormous 57 rating.

 

Sure, the show itself was horrible – two hours of filler before the vault finally opened, and all that was inside was one 60 year-old whiskey bottle. But Geraldo’s career survived – such as it was – and if viewers felt suckered I’m sure they are over it by now. 

 

 

 

Family Matters Disappears Judy Winslow (#38)

I was not a fan of this series, but according to Rolling Stone it was about the Winslow family, whose youngest daughter, Judy, was played by Jaimee Foxworth. When the show introduced Steve Urkel, viewers responded so favorably that it pulled storylines from other characters, and Judy fared the worst. After four seasons, she just vanished and was never referred to again. 

 

 

Sure, that’s cold, but hardly unprecedented. The same thing happened to Chuck Cunningham on Happy Days, and when Michael J. Fox became the top draw of Family Ties, it meant fewer episodes devoted to Tina Yothers. Family Matters lasted another five seasons, so it was not a harmful decision to ABC. Whether Foxworth’s subsequent series of poor life choices can also be attributed to her dismissal is open for debate.

 

Canceling Star Trek and Gilligan’s Island After Just Three Seasons (#37)

This one surprised me, first because you rarely see Star Trek and Gilligan’s Island mentioned in the same sentence, and second because both shows not only survived but flourished in non-stop syndication for decades after they were canceled. “By comparison, According to Jim produced 182 episodes across eight seasons,” Rolling Stone observed. “We’d be in a better world if there had been a lot more Star Trek and a lot less According to Jim.” Well, when you put it that way…

 

Laverne and Shirley Dumps Shirley (#29)

I interviewed David L. Lander (Squiggy) about Laverne & Shirley’s final season, for my book What Were They Thinking? The 100 Dumbest Events in Television History. He put the blame for Shirley’s disappearance on Cindy Williams’ husband, Bill Hudson (of Hudson Brothers fame), who became such a pain in everyone’s backside that the network just let her go. I agree with Rolling Stone here – the decision to move forward without Williams was a terrible one.

 

The Brady Bunch Variety Hour Becomes a Thing (#17)

This show is in my above-mentioned book as well. Even Barry Williams described it as “perhaps the single worst television show in the history of the medium.” Sure, I made fun of it like everyone else –but over the years my perspective has softened. 

 



Give the success of The Brady Bunch in syndication, and the popularity of musical variety shows in the late 1970s, the decision to take a chance on this series was hardly outlandish. It only lasted nine episodes and deservedly so, but I can’t stay mad at the Bradys, even when they’re turning Donna Summer's seductive "Love to Love You Baby" into a wholesome family singalong.

 

The Ropers  (#16)

Clearly a failed spinoff. But why was this singled out over Enos or Tabitha or AfterMASH? It didn’t kill Three’s Company, which survived even the loss of Suzanne Somers. 

 

 

Star Trek: TNG Fires Gates McFadden Before Season Two (#15)

Was the show better with Dr. Crusher than with Diana Muldaur as Dr. Pulaski? Sure. Did that decision destroy the season? Absolutely not. 

 


“Elementary, Dear Data,” “The Measure of a Man,” “”Time Squared,” “Pen Pals,” and “Q Who” were just some of that season’s excellent entries. Even the episode that focused on Pulaski, “Unnatural Selection,” has its moments. There were misfires as well, but you can’t blame “Shades of Gray” on her.

 

NBC Cancels ‘Baywatch’ After One Season (#12)

Yes, terrible decision from a financial standpoint – Baywatch generated countless millions in its 11-season run. Maybe if Pamela Anderson had been there from the beginning, its fate would have been different. 

 

 

If you’re wondering what #1 was, it was NBC’s decision to cancel Freaks and Geeks.

 

My Choices

My criteria for a worst decision is that it should be one that did serious damage to a good show, or canceled a series before that series reached its full potential. With that in mind, here are five more selections.

 

#1

Replacing Bo and Luke with Coy and Vance on The Dukes of Hazzard

This tops my list not only because it tanked the ratings on a top-ten series, it also revealed arrogance toward the series’ fans that bordered on contempt. When Tom Wopat and John Schneider left the show (temporarily) over a merchandising royalty dispute, I can almost hear CBS executives responding, “So what? Hire a couple of lookalikes and keep the same scripts. As long as the car jumps and Daisy is wearing shorts, those trailer park rubes in the South and Midwest will keep watching.” Wrong. But that same attitude toward “flyover country” has only gotten worse since then, and not just in network boardrooms. 

 

 

#2

Nancy Walker on Family Affair

I like Nancy Walker. I like Family Affair. But I cannot stand Nancy Walker on Family Affair. Her character, housekeeper Emily, arrives in the show’s fifth and final season, and seems to exist only to mock Mr. French’s stuffy disposition. But there’s nothing wrong with Mr. French’s stuffy disposition – in fact, given his impeccable manners and devotion to duty and grace under pressure, he is a character to be admired, not ridiculed.

 

#3

The Last Episode of St. Elsewhere

Television viewers invest emotionally in the lives of characters, especially those in a quality, long-running series. So when the final episode of St. Elsewhere revealed that the only place these characters actually “existed” was inside a snow globe held by an autistic kid, it came off as a bleak and cynical decision by a writer lifting his middle finger toward the people that helped to keep him employed. The bitter aftertaste still lingers. 

 

 

#4. Canceling Gidget, Ellery Queen, Apple’s Way, Tenspeed and Brownshoe, and The Fitzpatricks, all after just one season. 

Wonderful shows, all gone way too soon.

 

 

The Star Wars Holiday Special

Spoiler alert: This was #1 in my What Were They Thinking? book. If you’ve seen it, no explanation is necessary. If you haven’t, no explanation could ever fully encapsulate what makes this special so spectacularly awful. 

 


 

21 comments:

  1. Love GILLIGAN as much as anyone, but it wasn't even 1967's worst TV decision. F TROOP was ended by Warner Brothers after 65 episodes with ratings that were still high (higher than GILLIGAN's that season actually, # 40 to the Isle's # 49 and 31.3 share to 30.0) and I can only imagine how many syndication millions WB cost itself by not finding a way to do one more season and get close to 100 episodes (which GILLIGAN, with 98, essentially already had). ABC made a shortsighted one of its own that fall with HONDO, which was ended in early November after only 9 episodes had aired (vs. STAR TREK and GOMER PYLE). The ratings began to rise after the cancellation, and the last two episodes in December were the show's highest rated. Of course, as TNT and GetTV can now attest, HONDO was certainly a show that could catch on if you gave it time. It is in its eighth year on GetTV with those 17 episodes airing twice a week.

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    1. One benefit of our current vast TV landscape is that shows like Hondo do get another chance to find an audience. I still need to give F Troop another chance - have not seen enough episodes to decide whether I like it or not.

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  2. the rest of my list of too-soon cancellations would also include THE JOB (the inferior RESCUE ME lasted years on FX, ABC dropped the ball here IMO) and FRANK'S PLACE (the great reviews alone should have given this Tim Reid starrer a second year in 1988).

    Most damaging move to a good show outside of that DUKES disaster would be GOOD TIMES killing off James Evans. Massive drop in quality, immediately--even if the ratings held for a year. I'd also say that DALLAS making J.R. Ewing into a punching bag for the better part of the final 5 seasons makes just about everything after 1984-85 unwatchable to modern eyes.

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  3. What a great read this was, thanks David. (And I am in 110% agreement with the final episode of St.Elsewhere, I was a loyal fan of the show from start to finish and that damn snowglobe felt like such a betrayal.) I'm sure I could come up with my own list here, but the one right off the top of my head is when they began using 'Night Gallery' to air those soapy, dull ESP episodes with Gary Collins. Rod deserved so much better than that. Anyway, excellent read here.

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    1. Thanks Doug - I'm sure you could come up with many more terrible TV decisions - I'd need another dozen blogs to dent my own list.

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    2. I've read recently that MCA/Universal paid Rod Serling an extra $100K for those 6TH SENSE intros, so he was well-paid for selling out. :)

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    3. Thanks Jon, I actually take real comfort in that. :^)

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  4. The most boneheaded move by all the networks happened when they decided to cover the O.J. Simpson preliminary hearing in toto, pre-empting all their daytime programming in the process.
    Yes, I'm talking about the soaps, all of which were damaged to one degree or another by the disruption of their continuity.
    The Nets still haven't figured out how to program afternoons; talk/yammer shows, faux courtrooms, amateur variety hours - monuments to uncreativity and boredom.

    To your Honor Roll of too-soon cancellations, I'd add Blacke's Magic, which fell to office politics between NBC and Universal (read Peter Fischer's memoir, Me And Murder, She Wrote, for details).

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  5. Great reading, David! Set me thinking about shows like Laverne & Shirley that pressed on without a major star, such as Chico and the Man without Freddie Prinze, McMillan & Wife sans Susan Saint-James, and CHiPs without Larry Wilcox. No star is indispensable, as both All in the Family and Sanford & Son proved, producing solid shows when O'Connor and Foxx went MIA holding out for more money (and a window in his dressing room, in Foxx's case).

    On that note, you'll disagree, but I think the Coy and Vance season of Dukes of Hazzard maintained its momentum, with the greedy Schneider and Wopat (and/or their agents) the real villains of the piece. That Coy and Vance were unceremoniously booted near the end of the season revealed to me the network's mercenary approach to people, whether actors or audiences. And the Dukes was more an ensemble show, with the shallow characterizations of Bo and Luke just a spoke of the wheel. Me, I always tuned in for Boss Hogg and Rosco (and missed James Best when he also went AWOL for a spell, though it was nice to see stalwarts like Dick Sargent pinch hitting).

    I suspect the Rolling Stone writer is not a Star Trek fan. That third season had enough good episodes to justify it, but the series was clearly in steep decline (I blame Fred Freiberger, who later torpedoed Space: 1999). A fourth season would only have diluted the quality of what we have.

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    1. Yes, we'll agree to disagree on the Coy/Vance episodes, which I found almost unwatchable. A series where the scripts were mind-numbingly repetitive need a lot of cast chemistry and camaraderies to sustain viewer interest. That's what was lost during that time. The comedic bits with Boss and Rosco were great but not enough for a full episode.

      And regarding Star Trek - yes, after the space hippies and Abe Lincoln appearance in season 3 we're probably better off without a season 4 -and the Rolling Stone writer obviously still got his wish for a lot more Trek with all the subsequent series.

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  6. I wish THE ROGUES would have lasted more than one season. Even though it followed 'Bonanza', for some reason, NBC had problems with that 10 pm/9 Central time slot on Sunday nights opposite 'Candid Camera' and 'What's My Line' on CBS and the ABC Sunday night movie.

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  7. I enjoyed reading picks much more than Rolling Stone's. I will add one: Canceling Coronet Blue before the story was resolves. This was an intriguing show from the start (catchy title song, too). Larry Cohen's planned ending would have been a blast!

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  8. Given your feelings about the finale of St. Elsewhere, how do you feel about Newhart's finale given a similar scenario (it was all a dream). I remember my mom, while she loved the "Emily gag", actually hated the ending of Newhart because it meant none of the characters and things that happened were "real". Do you think the difference is comedy vs drama?

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    1. That's a fair point. And yes, even if it is hypocrisy I loved the Newhart ending as much as I disliked how St. Elsewhere ended. You could bring in the Bobby in the shower scene from Dallas that also wiped out a season's worth of events as a dream. Maybe it is easier for a comedy to get away with that, or maybe people just loved the original Bob Newhart Show so much that seeing Bob and Emily together was just too good to be upset about.

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    2. Postscript to Newhart II ending:
      A year afterwards, CBS did a Newhart I reunion show, where bob and Emily got together with the other regulars to talk Bob down from his "dream" with flashbacks to the Chicago show.
      The reunion was set in the lobby of Bob's office; when they were finished, they got into one of the elevators, leaving Bob to decompress.
      The other elevator came, and Bob met up with three workmen: Larry, Darryl, and Darryl from Newhart II.
      Hey, I thought it was funny (and so did the studio audience ...).

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    3. Turnabout is fair play, as Peter Marshall used to say on Hollywood Squares.

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    4. >A year afterwards, CBS did a Newhart I reunion show
      I completely missed that. I was a fan of both of the shows so I would have enjoyed it... Hey! Thank God for Youtube:
      https://youtu.be/uJBha0s-PhE?si=mFdkYOhpRSdKVMSV

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  9. Regarding terrible choices, did Oliver (Brady Bunch) make your list? Or was Brady Bunch already too far gone to matter? Of course, you could make the same argument for any number of TV shows that attempted to revive a show by introducing a new baby/kid. In fact, now that I think about it, I would have to give the award to Danny Cooksey's character on "Different Strokes" for worst TV kid-ervention.

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    1. The Brady Bunch was likely in its final season anyway, so I don't think Oliver hastened its demise. My worst TV "kid-ervention" to use your term was Patti Petersen on The Donna Reed Show.

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    2. Mr. Hofstede, remember when Scrappy-Doo was introduced into the "Scooby-Doo" franchise in 1979? I know Scrappy lasted, but the "kid-ervention" alienated a lot of the franchise's fans.

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