Showing posts with label Retro TV Nights. Show all posts
Showing posts with label Retro TV Nights. Show all posts

Friday, April 24, 2020

Retro TV Nights (Minus One)


Every so often I like to take a look at network viewing nights from the classic TV era that can be recreated through DVDs and streaming services.

The criterion was always that every show had to be accessible. But that restriction kept several interesting lineups from making the cut. So this time I’m going to feature viewing nights where every show but one is available – and then offer a suggestion that would make a fitting substitute for the series still out of circulation.


ABC: Thursday, 1969

The Ghost & Mrs. Muir
That Girl
Bewitched
This is Tom Jones
It Takes a Thief

Oh yes it’s ladies night…and the feeling’s right…
What a great start to a lineup with three classic, Emmy-winning, female-led sitcoms. Both The Ghost & Mrs. Muir and Bewitched feature supernatural stories, and while That Girl settles for stories with mere mortals, one has to wonder what special powers Donald Hollinger had for dating the delightful but very high-maintenance Ann Marie for five years. 



And before anyone asks, The Ghost & Mrs. Muir is available on DVD, just not in this country. If you have a region-free DVD player, you’re good to go. 



There has also been a This is Tom Jones release, but as with many variety shows it does not feature episodes in their entirety. So that’s the one we need to replace before getting to It Takes a Thief, featuring another TV heartthrob in Robert Wagner.

Since so few variety shows are available, we’ll need to go elsewhere for something that fits well in this lineup – how about Here Come the Brides, with Bobby Sherman and David Soul?


ABC: Tuesday, 1964

Combat
McHale’s Navy
The Tycoon
Peyton Place
The Fugitive

I wonder how well the switch from a serious military show to a silly one worked back in 1964. Perhaps it seemed like a relief, after an hour of mud-soaked combat, to enjoy some lighter moments with the crew of PT-75. 



McHale’s Navy was followed by another sitcom starring Walter Brennan as a cantankerous millionaire and Van Williams (the Green Hornet!) as his assistant and private pilot. With that cast how bad could it be? We’ll probably never know now, so let’s change that to F-Troop and keep the military theme going. Then, settle back for some high-class drama with Peyton Place and The Fugitive




CBS: Saturday, 1970

Mission: Impossible
My Three Sons
Arnie
The Mary Tyler Moore Show
Mannix

This was quite the mix-and-match grab bag of shows for CBS at the start of a new decade. The bookends are fine with Mission: Impossible at the start and Mannix wrapping up the night. My Three Sons was running on fumes after ten seasons, while The Mary Tyler Moore Show was just beginning its celebrated seven-season run. 



In between was Arnie, a series about a blue-collar worker (Herschel Bernardi) promoted to a white-collar position, and how that change impacts his family and coworkers. 



Never saw it so I can’t tell you if it’s any good. But to take its place let’s go with Here’s Lucy, another old-school sitcom that would transition well out of My Three Sons.

ABC: Thursday, 1975

Barney Miller
On the Rocks
The Streets of San Francisco
Harry O

Two half-hour comedies followed by two hour-long dramas was a familiar programming pattern, and here we’ve got a pretty good variety with just the lone weak link in On the Rocks. A comedy set in a prison was always going to be a tough sell, even with a cast of stalwart comic talents like Rick Hurst, Tom Poston, Hal Williams and Mel Stewart. 



Barney Miller is a great show that doesn’t get enough attention now, including in this blog. I’ll try to rectify that. After that, pop in an episode of Soap in place of On the Rocks. Soap actually did follow Barney Miller on ABC’s 1978 schedule, and both shows had an absurdist streak that makes them a good match.

And when it’s time to get serious, viewers are in good hands with Karl Malden and Michael Douglas in Streets, and David Janssen as Harry O



CBS: Friday, 1977

Wonder Woman
The Incredible Hulk
Flying High

Two-thirds of this lineup makes sense, with shows based on comic book superheroes. Wonder Woman was the more breezy and colorful series, while The Incredible Hulk offered a more somber treatment of Dr. David Banner’s search for a cure to his unique condition. Both characters have since appeared in films that rendered the limited special effects possible on the TV shows even more regrettable. But taken on their own terms they are still fun to watch. 



And to round out the night, we’ve got…stewardesses? Flying High was CBS’s attempt to recreate the success of Charlie’s Angels with the lovely trio of Pat Klous, Connie Sellecca and Katrhyn Witt. Every week brought a different set of travelers, including all the usual ‘70s suspects – Charo, Dr. Joyce Brothers, Dennis Cole, Dick Gauthier, Barbi Benton – so yeah, I’d pick it up. 



But since one-season flops from 1977 rarely hit DVD, let’s substitute The Amazing Spider-Man, another cheesy comic-inspired show that also debuted on CBS that year. 



ABC: Wednesday 1986

Perfect Strangers
Head of the Class
Dynasty
Hotel

Music rights is probably the reason Head of the Class remains unavailable on DVD, since almost all of ABC’s other TGIF-era series have been released, including the awful Step by Step. As I’ve always been a fan of shows set in schools it would be a first-day purchase for me. Whatever did happen to Khrystyne Haje? 



But since we must, let’s slot in another show with great school scenes, Boy Meets World, to complete that first hour. After that it’s two hours of escapist romance, luxury and intrigue with Dynasty and Hotel


Wednesday, March 28, 2018

Still More Retro TV Nights


As with my two previous pieces on this topic, I’ve selected some stellar programming lineups from the Comfort TV era that can now be recreated thanks to the availability of their shows on DVD (or on retro TV networks like Decades).

While the volume of classic TV releases has slowed considerably in recent years, enough new titles have appeared to fill in some gaps and make more of these nostalgic experiences possible.

So let’s journey back once more to those thrilling days of yesteryear, when there were just three networks, cable was what allowed Ma Bell to hook up your telephone, and satellites were used only for spying on Russians.

ABC: Saturday, 1983

T.J. Hooker
The Love Boat
Fantasy Island

Escapism was the aspiration here, as it often was on Saturdays in the Comfort TV era. With adults off from work and kids off from school, networks delivered shows that specialized in diversion. T.J. Hooker didn’t have the exotic locales of the series that followed, but its depiction of an L.A. cop’s crusade to clean up the streets was about as credible as anything cooked up by Mr. Roarke and Tattoo. 



Added bonus: The possibility of seeing Heather Locklear on all three shows. 



CBS: Monday, 1979

The White Shadow
M*A*S*H
WKRP In Cincinnati
Lou Grant

Here’s the kind of prestige programming schedule viewers came to expect from the Tiffany network. All four series in this esteemed lineup received Emmy Awards (not in a major category for WKRP, but stars Howard Hesseman and Loni Anderson were nominated). 



All of these shows lived authentically in their environments. The White Shadow never whitewashed the challenges faced by inner city high schools. The M*A*S*H condemnation of Vietnam (by way of Korea) captured the insanity of war, from recurring battles over useless territory to doctors patching up young soldiers so they could go out and get shot again. The backdrop was more benign on WKRP in Cincinnati but just as true-to-life. Anyone who worked radio at that time could identify with its bizarre tales of eccentric talent, crazy on-air promotions and gimmicks to boost ratings.

And Lou Grant? Simply the best show about journalism ever created. I wish its portrayal of that profession was still considered a model for how to do it right. 



CBS: Saturday, 1961

Perry Mason
The Defenders
Have Gun, Will Travel
Gunsmoke

How remarkable was it to have the opportunity to watch television’s two best legal dramas back-to-back, without even getting up to change the channel? 



Start with these shows, in which lawbreakers are read their rights and tried in a court of law, and follow that up with two shows in which justice was delivered without the need for lawyers, judges and juries. 



NBC: Friday, 1986

The A-Team
Miami Vice
L.A. Law

There’s something appropriate about the progression here from outlaws to police to lawyers, a familiar pattern in crime and punishment. But I would define this lineup more as a study of professionals at work. Start the evening with a crack military squad helping the innocent (and firing thousands of bullets in every episode that never hit anyone). 



Move on to a team of detectives making Miami in the ‘80s slightly less scuzzy; and then head up into a spectacular downtown Los Angeles skyscraper to sit in on a meeting with McKenzie, Brackman, Chaney and Kuzak, where cases are rarely lost despite all the inter-office couplings. Just don’t forget to look down before you get on the elevator. 



CBS: Saturday, 1972

All in the Family
Bridget Loves Bernie
The Mary Tyler Moore Show
The Bob Newhart Show
Mission: Impossible

Not as perfect as the now-legendary CBS Saturday lineup of the following year, when Carol Burnett replaced the IM Force in the 10pm timeslot (providing a less jarring transition from the easygoing Bob Newhart Show) and M*A*S*H replaced Bridget Loves Bernie, which deserved a better fate. Still, there’s not a bad show in the bunch. 



CBS: Saturday Morning, 1976

Sylvester & Tweety
The Bugs Bunny/Road Runner Hour
Tarzan
Shazam/Isis
Ark II
Clue Club

Saturday morning lineups from the Comfort TV era are hard to recreate, because there is almost always one show in the schedule that was short-lived and not likely to be shown again or released on DVD. But here’s one that can be done, even if you have to cheat by using the Warner Brothers Looney Tune anthologies for the material aired as Sylvester & Tweety and The Bugs Bunny/Road Runner Hour.

After that, settle in for a mini-marathon of Filmation classics, starting with the animated Tarzan series, which has been praised as one of the more faithful adaptations of the Edgar Rice Burroughs books. 



The Shazam/Isis Hour and Ark II are delightful throwbacks to when live-action science fiction and superhero stories delivered thrills on what appeared to be a ten-dollar per episode budget. 



Round out the morning with Clue Club, the best of Hanna-Barbera’s countless Scooby-Doo knockoffs. Some of the mysteries here, such as “The Disappearing Airport Caper” and “The Dissolving Statue Caper,” are still pretty clever. You may not guess the solution before Larry, Pepper, D.D. and Dottie. 


Thursday, August 4, 2016

More Retro TV Nights


Back in 2013 I posted a piece about some of the ways classic TV fans watch their DVD collections. One of the most intriguing methods is recreating an evening of network television as it was broadcast 30 or 40 years ago. It’s a way to vicariously travel back into the past and watch the programs that people watched back then, in the order in which they watched them.

Since then, more classic series have become available on DVD, as well as via such nostalgia channels as Me-TV and Antenna. That means it’s now possible to enjoy even more retro TV nights.

Journey back with me to a time when there were just three networks, TV Guide was a quality publication, and you’d never see a commercial that contained the phrase “Ask your doctor about…”

NBC: Wednesday, 1971

Adam-12
NBC Mystery Movie
Night Gallery




One of the benefits of this lineup is variety, as with the Mystery Movie you can alternate as NBC did between Columbo, McMillan & Wife and McCloud. Adam-12 is one of the better police procedurals, and as you’d expect from a Jack Webb series finds much to respect in the job of law enforcement. Rod Serling’s Night Gallery was inconsistent, but its best installments make the series a worthy successor to The Twilight Zone



CBS: Monday, 1974

Gunsmoke
Maude
Rhoda
Medical Center

I’d be curious to hear the strategy behind these pairings – if indeed there was any. How many viewers of a traditional western like Gunsmoke, now nearing the end of its 20-year run, did CBS believe would stick around for the liberal politics of Maude? That’s like following The Lawrence Welk Show with MTV’s Headbangers Ball.

From there it’s an easier transition to Rhoda, another sitcom with a strong-willed and charismatic female lead, before delving into disease of the week drama with Chad Everett on Medical Center



ABC: Tuesday, 1987

Who’s the Boss
Growing Pains
Moonlighting
Thirtysomething



The theme for this evening could be “shows that didn’t age as well as we expected.” Who’s the Boss and Growing Pains ran eight seasons and seven seasons, respectively, and together still provide a likable hour of family sitcom fun. Classics? Not on my scorecard but yours may vary. Moonlighting was a revelation in its day – a brilliant speedball of detective fiction and fourth-wall breaking anarchy. The magic was short-lived (barely three seasons, though the show ran five) and the series ended awkwardly amidst declining quality and star ego turmoil. Thirtysomething, likewise, seemed like something brand new when it debuted – a postmodern baby boomer domestic drama. It was popular and critically acclaimed, but was also derided for too much navel-gazing. I wouldn’t revisit this lineup often, but it makes an interesting diversion from the warhorses in my collection. 




NBC: Thursday, 1964

Daniel Boone
Dr. Kildare
Hazel

Here you have three shows with absolutely nothing in common, begging the question of why some long-forgotten NBC programmer decided to put them together. I tried this rotation once and it didn’t really work for me. But if your tastes run to the eclectic you may enjoy an evening that starts in 18th century Kentucky, segues into medical crises in 20th century Blair General Hospital, then lightens the mood with a mouthy maid, Missy and Mr. B. 



ABC: Tuesday, 1975

Happy Days
Welcome Back, Kotter
The Rookies
Marcus Welby, M.D.

It’s Tiger Beat night! Henry Winkler and Scott Baio were always in the teen magazines, as was John Travolta in his Barbarino days. And Michael Ontkean was considered quite the dreamboat on The Rookies (he left before the 1975 season, but if you're going to try this lineup it's acceptable to cheat with a 1974 episode). With Marcus Welby it wasn’t Robert Young that made the girls swoon but costar James Brolin as motorcycle-riding surgeon Steven Kiley. Back in the day he was cooler than Clooney on E.R



CBS: Friday, 1981

The Incredible Hulk
The Dukes of Hazzard
Dallas

Now we’re talking. Happy memories for me here, as in 1981 Friday meant sleeping late the next morning and no school for two days. I was primed for escapist entertainment and CBS obliged. The Incredible Hulk found an audience in an era when comic book adaptations were scarce, thanks mainly to Bill Bixby’s poignant portrayal of David Banner. The Dukes of Hazzard wasn’t based on a comic book but it might as well have been, while Dallas offered a more upscale take on Southern pride. For different reasons none of these shows could be taken seriously – just the way I liked them. 


Saturday, July 27, 2013

Classic Retro TV Nights

 
For most people an evening spent watching old television shows is something that is settled for, when more exciting activities are too costly or unavailable. But for those of us who love this stuff, it’s an entertainment option we not only prefer even when other opportunities present themselves, but also something we look forward to, sometimes all day.

Comfort TV fans all have their preferences when it comes to classic TV viewing. Some like to marathon episodes from one show, while others mix and match at random. More ambitious fans may create theme nights built around a specific writer or actor or subject.

For me, one of my favorite Comfort TV activities is to recreate an evening of television from 30 or 40 years ago. It’s a way to vicariously travel back into the past and watch the programs that people watched back then, in the order in which they watched them.

If you’d like to try it, and you have access to the DVDs or a good streaming service, here are some noteworthy retro TV nights that will bring back memories, and renew your appreciation for the consistency of quality that we used to take for granted from our television networks.

CBS: Saturday, 1973

All in the Family
M*A*S*H
The Mary Tyler Moore Show
The Bob Newhart Show
The Carol Burnett Show

This is, and most likely always will be, the best night of television ever scheduled. Spend an evening with episodes of these five classic series, all now ranked at or near the top of their respective genres, and you’ll wonder why anyone would go out on Saturday nights in 1973.




ABC: Thursday, 1964

The Flintstones
The Donna Reed Show
My Three Sons
Bewitched
Peyton Place

What makes this lineup interesting is how these shows now seem to belong to different television eras. The Donna Reed Show has a 1950s vibe, while Bewitched is definitely a classic ‘60s series. The Flintstones could have emerged from any decade, though most wouldn’t connect them historically with the year the Beatles invaded America. And Peyton Place looked forward to a time when the medium was open to more mature content. 





NBC: Thursday, 1985

The Cosby Show
Family Ties
Cheers
Night Court
Hill Street Blues

One of the preeminent “must-see TV” nights of the 1980s, with some logical symmetry in the pairing of two family sitcoms followed by two workplace sitcoms, each with escalating maturity in subject matter, and capped by one of the decade’s best dramas. 



ABC: Friday, 1971

The Brady Bunch
The Partridge Family
Room 222
The Odd Couple
Love American Style

Great memories here for late Baby Boomers like myself. Room 222 has not been as widely syndicated over the years as the other sitcoms in this standout ABC lineup, but it’s a brilliant show worth rediscovering on DVD. The weakest link here is Love American Style, though the diverse guest-star lineups help to offset its sophomoric sensibilities. 




CBS: Wednesday, 1965

Lost in Space
The Beverly Hillbillies
Green Acres
The Dick Van Dyke Show

What seems eclectic at first actually makes perfect sense. Lost in Space and Beverly Hillbillies both deal with families coping outside of familiar environments. There’s an obvious rural connection between Hillbillies and Green Acres, and while the latter might seem incompatible with The Dick Van Dyke Show, it was actually a much smarter series than it seemed at first glance. 



ABC: Tuesday, 1977

Happy Days
Laverne & Shirley
Three’s Company
Soap

Here’s an ideal retro lineup after a tough day at work, when all you want is to set your brain to autopilot and take in some lighter TV fare that does not require careful attention. 



And for those that really want to recreate a retro TV night as closely as possible, if you have access to YouTube streaming on your television you can fill the gaps between episodes with commercials from the same era, or perhaps network bumpers or promos. See you in the '70s!